Yesterday you were a boy,
today blind passion makes your blood swell.
You do not mean to seek lust but joy;
you have been chosen as a groom
whose desire is only for his bride.
But the spirit of lust pulls at you,
even ordinary arms suggest nakedness.
Even pale cheeks on pious paintings
blush with strange appeal.
Desire twists like a snake,
rising to the beat of the tambourine.
Suddenly you are left alone
with hands that will betray you
unless your will delivers a miracle.
But news from God comes
rushing through dark alleys
into your heart.
Rainer Maria Rilke, The Book of Hours, I, 38
translation by Martina Nagel, illustration by Denise Louise Klitsie,
from Praying the Hours in Ordinary Life (Cascade Books, 2010)
As we fast approach principal photography for None (The Hour of the Mournful Songwriter starring Aaron Ballard and Chris Min), I find that it is just as important to get in touch with the hour of prayer as it is to finalize the numerous last-minute production details (and, in some cases, maybe even more important). When nailing down locations, scheduling cast & crew, finalizing script notes, gathering props (etc, etc, etc) all seem to overshadow the very reason I signed on to make this movie in the first place. It’s probably a good (if not imperative) idea to stop, breathe, and let Rilke recalibrate my sight to what’s truly important. You’re welcome to join me as I do this…
I love those dark hours,
those melancholy ones,
when all my senses are alert.
I have found in those hours,
like reading someone else’s letters,
my ordinary life has been lived a hundred times.
It is a legend that reaches beyond me.
I realize the promise of a second eternal life.
I am like a tree that grows next to a grave
holding high in its mighty branches
the dream a lost boy once dreamt
though he lies in my roots’ embrace
forever gone in sadness and lament.
—Rainer Maria Rilke, The Book of Hours, I,5
Ich liebe meines Wesens Dunkelstunden (translated by Martina Nagel)
by cinematographer Jordan McMahon
When I got the news that Red was FINALLY relinquishing the never-ending saga of the Scarlet-X, my heart skipped a beat. For months the discussion was what camera to purchase for our feature film “Praying The Hours”. Up until this point I had only ever held a Red-One so I was excited, but a bit anxious to actually get acquainted with the Scarlet and shoot. I met with our Senior DP, Abe Martinez and Producer, Ron Allchin a few days prior to leaving for Indiana to go over camera settings, the look of the segment and weather concerns, all of which helped to thaw my pre-existing cold feet.
Stepping out of the Fort Wayne Indiana airport on Christmas day was surreal in itself, but the slap of cold that hit my face put a new focus on what challenges the elements may have on our shoot. The Scarlet, being hot off the drill press, didn’t come with a weather manual (nor was there too much on the online bulletin boards).
During the course of the Compline shoot, Martina Nagel (segment DP) and I saw the gambit of weather: snow, sleet, hail, sun, and rain. Overall the Scarlet did well except for the few times it said ‘shutting down’ due to wind chill and shooting for prolonged periods of time. (And for you uber techy camera folks out there who are researching the probable causes why your Scarlet is shutting down, it’s also noteworthy to mention that we had to use a Red One battery because our side handle didn’t arrive in time.)
Having the opportunity to shoot in Indiana and step away from the constant pulse of LA was a breath of fresh air (literally). More importantly, we set out to capture the story of Compline and hoped that the Red Scarlet could handle it. I think it did exceptionally well and I’m glad to have had the opportunity.
February 6, 2012 | Categories: Production | Tags: abe martinez, camera, jordan mcmahon, lauralee farrer, martina nagel, praying the hours, productio, red, ron allchin, scarlet x, weather | Leave a comment